home *** CD-ROM | disk | FTP | other *** search
- THEATER, Page 80Classic MuddleBy William Henry III
-
-
- BORN YESTERDAY
- by Garson Kanin
-
- The audience applauds when the curtain comes up on the set, a
- swank Washington hotel suite, and again for the arrivals of the
- four leading players, each familiar from a TV series. Alas, those
- are just about the final occasions for enthusiasm in the labored,
- preachy and mostly unfunny revival of Born Yesterday that opened
- on Broadway this week. When the show debuted in 1946, it made stars
- of Paul Douglas and Judy Holliday and cemented the reputation of
- playwright Garson Kanin as a wry social commentator.
-
- This time, Edward Asner (Lou Grant) achieves the seemingly
- impossible by overplaying the loudmouth junkyard magnate Harry
- Brock, who is eight parts tyrant to one part teddy bear. Madeline
- Kahn (Oh Madeline) gets laughs as his fed-up mistress who sets out
- to acquire couth and literacy, but cute faces and cunning timing
- do not add up to a believable person. As the crusading journalist
- who sets out to trap Brock and woo away his woman, Daniel Hugh
- Kelly (Hardcastle and McCormick) seems lobotomized. Only Franklin
- Cover (The Jeffersons), as a sozzled, shopworn and sardonic
- Washington fixer, evokes a credible human being.
-
- The biggest loser is Kanin. His script, considered an American
- classic, either has dated badly or was overrated to start. It is
- a political, moral and especially a rhetorical muddle; its most
- grandiloquent speeches sound like discarded first drafts for a
- lesser Frank Capra movie. At the end, a Senator gets away with
- taking a bribe and Brock apparently gets away with murder, all with
- the connivance of the supposed hero and heroine. That may echo how
- some spectators feel about the outcome of recent insider-trading
- cases, but Kanin seemingly intended a shout of triumph, not this
- cynical sigh.